Archive for Enotes
Today’s Miss Americas serve their term and then they’re never heard from again. Or so it seems.
There’s no prerequisite, of course, that the winner of arguably the most famous beauty contest of all time needs to stay in the limelight when she hands the crown over to her successor.
But there was a time when Miss America was often the springboard to bigger and better (or, at least, more profitable) things.
Mary Ann Mobley was one of those Miss Americas who stuck around in our consciousness long after she sashayed down the runway.
She was the first Mississippian to win the legendary contest, and she parlayed that distinction into a pretty decent stage and film career as an actress.
Like so many other women of her era, Mobley was able to star opposite Elvis Presley on screen, and like her brethren, she out-acted him.
Mobley had a smile that went from ear-to-ear and her dark beauty was a stark contrast to the blond, lighter handsomeness of Gary Collins, an actor and game show host (and fellow Mississippian) who she married in 1967.
Mobley captured the Miss America crown in 1959 and six years later she was a winner again—this time with a New Star of the Year Golden Globe.
But despite all her credits on stage and screen (big and small), it was in charitable causes where Mary Ann Mobley was a true Miss America.
She served on several councils and contributed to many charities and her work was exemplified by the naming of a pediatric wing after her, at a hospital in her hometown of Brandon, Mississippi.
Mobley and Collins formed one of television’s most well-known couples, particularly in the 1980s. For many years they were both in our living rooms in some way, shape or fashion, with Mobley doing turns on shows like “Falcon’s Crest” and Collins chatting up folks on talk shows and helping them win money on game shows.
Mobley was the first woman to be inducted into the University of Mississippi Hall of Fame.
But Mobley’s sweet-as-pie good looks and her Mississippian, southern belle demeanor shouldn’t have fooled you, because she was also a very competent filmmaker.
You heard me.
For years, Mobley documented the “young victims of war and starvation in places like Cambodia, Ethiopia, Somalia and the Sudan,” according to a release from Warner Brothers.
That probably doesn’t sound like the Mary Ann Mobley with whom you’re familiar.
The Chairman of Miss America, Sam Haskell, sang Mobley’s praises after word of her death reached him.
“She challenged me, she loved me, and she made me laugh! I shall miss her!”
Mobley once spoke of her ever active life, when she was knee-deep in acting, fundraisers and volunteer work.
“I’m home about two days a month, and on those I have to pack.”
Why does the ice cream man have the market cornered on driving trucks around the neighborhood, selling his wares?
Think about his clientele—six-year-olds, who aren’t exactly loaded. How much disposable income does a first grader have?
This may seem like a strange time to bring this up, because we’re hardly in ice cream truck season, but I say this is the perfect time to discuss this.
With ice cream no longer a viable purchase option at your curb, why not consider other items that a grown up would run out of his/her house to snatch up?
Liquor, for one.
Can you imagine if there was a liquor truck that cruised the neighborhoods? The driver would make a mint. Adults would be lined up down the street as far as the eye could see.
The possibilities are endless.
How nice would it be if you could purchase an apple pie from a truck in front of your home? Or a dozen doughnuts?
The items for sale wouldn’t have to be limited to food stuffs.
I’d have killed at times to be able to buy batteries off a truck. I would have been forever grateful if a Tylenol truck drove by, ringing its bell.
I wonder why ice cream became the item of choice when it came to retail trucks rolling down a neighborhood street.
The ice cream truck was one of the few American creations that never really spawned any offshoots.
Despite the popularity of selling ice cream from a truck, catering to grade school kids who don’t have any money, no entrepreneur ever considered marketing toward adults (who actually have cash) with items that don’t even need to be frozen.
I think an enterprising person could make a killing driving around residential areas the day before Valentines Day, selling greeting cards, chocolate and flowers. Or even a birthday card truck, because birthdays happen every day, and every day people forget to buy a card.
Following behind could be a postage stamp truck.
It takes about 15 seconds to eat one, from start to finish. They cost about 79 cents a pound, raw at the supermarket. They are made up of bone more than meat.
So why are chicken wings at the restaurant so expensive?
I like a chicken wing as much as the next person. You can do a lot with a chicken wing, in terms of preparation. Chicken wings play nice with the various sauces and batter that coat them.
That’s all fine and dandy, but does that equate to $9.99 for a dozen?
I use $9.99 as an arbitrary price, but that’s in the ballpark.
I think we’re being gouged on chicken wings.
The easy answer, of course, as to why the markup is so high, is that we consumers are willing to pay it.
Let’s face it. Properly cooked chicken wings are a sight to behold.
They are slathered with sauce, which envelopes the crunchy skin, which is deep fried and/or baked deftly, so the meat inside stays tender and moist.
But when not done right, the chicken wing can be slimy, gummy and thoroughly unappetizing.
In either case, you can expect to pay about $9.99 a dozen.
I have no idea why we think that chicken wings are worth the price, but we pay it.
Heck, there’s even entire restaurant chains that devote themselves to the chicken wing.
Buffalo Wild Wings (or B-Dubs, as the cool people say) comes to mind, as it did when a co-worker asked me last week if I wanted to go out to lunch.
We ate at a burger joint, but on the walk back to the office, a B-Dubs loomed.
“Do you like Buffalo Wild Wings?” I was asked.
That’s when I launched into my chicken wing rant, to which you are now being exposed.
As far as B-Dubs goes, the family and I ate there a few years ago and I was underwhelmed. Again, the prices got to me—but frankly, I didn’t think the wings were all that.
B-Dubs boasts that it offers lots of different flavors of wings, which is true. There are lots.
But they’re still chicken wings, and they still take just 15 seconds each to consume. And they’re still more bone than meat.
Let’s face it: have you ever looked at the wing of any bird and licked your lips because they look so meaty?
Even a large Thanksgiving turkey doesn’t have a wing that has enough meat to impress, much less a dinky chicken.
Yet restaurants boldly price their wings at obscene markup and we devour them by the basket-full.
OK, so they offer some celery sticks and blue cheese on the side. Whoop-de-doo.
We actually like to cook our own chicken wings at home, though it is some work to do it right. But we can also buy a huge bag of the frozen things at a dirt cheap price, relatively speaking.
Hint: most butchers will chop your wings up for you, for free, while you wait. That way, you can take them home in the same sizes and shapes as the ones you pay $9.99 for at the restaurant.
Some restaurateur hit the jackpot when he or she discovered that the cheap wing of a chicken could be baked, deep-fried and slathered with sauce and sold at a 500 percent markup. And that’s as an appetizer.
Let’s see. At $9.99 a dozen, and with chicken wings taking 15 seconds each to eat, that equates to three minutes’ worth of eating time per dozen.
That means restaurants are charging us the equivalent of $200 an hour to enjoy their chicken wings! And we have to use our hands to eat them; we don’t even get to use silverware.
At $200 an hour, what are chicken wings? The lawyers of food items?
Not to mention all the dry cleaning bills, thanks to the messy fingers and sauce dripping all over the place.
We’re getting rooked but what else is new, right?
Allen Funt created television’s Candid Camera. But he was not the star.
If Funt were alive today, he would concur.
Funt, who took the idea of a roving microphone capturing unguarded moments from the days of radio and turned it into a TV phenomenon, also never liked the notion that his show made fools out of unsuspecting people.
Funt preferred to think that Candid Camera was more of a series of case studies on human behavior, rather than a gag-filled half-hour.
Regardless, the star wasn’t Funt, though he hosted the in-studio segments and often appeared during the hidden camera “case studies.”
The stars of Candid Camera were always the people—the folks whose behavior was being chronicled in a very unfiltered and unscripted way.
Therefore, the laughs that resulted were always from the audience’s glee at the reactions of the unwitting, caught by Funt’s hidden camera.
But that was then.
TV Land has trotted out a new version of Candid Camera, hosted by Funt’s son, Peter, and actor Mayim Bialik.
As in Allen Funt’s original version, the hosts in the studio don’t matter. Not that the younger Funt and Bialik do a poor job (they don’t), but they aren’t the stars.
The new version, however, falls flat.
It’s not the fault of Funt and Bialik. It’s the fault of the people. And that’s not even fair, really.
The charm of the original Candid Camera was not only watching normal people in abnormal situations, it was in the reveal—that moment when Funt, et al would finally let the unsuspecting in on the joke.
“You’re on Candid Camera!”
But back in the original show’s days, there weren’t cameras all over the place. There weren’t cell phones and tablets and the like, all equipped with cameras that could be whipped out at a moment’s notice, ready to capture just about anything the possessor wished to capture, newsworthy or not.
Today, people aren’t stunned or shocked by the presence of a camera, even if they didn’t know one was trained on them for a case study.
So the reaction to the reveal in the new version is, well, muted.
And a muted reaction isn’t very entertaining to the TV viewers.
Now, that might not be so bad if the situations the people are placed in made up for the less-than-spectacular reveal reactions.
But they don’t.
Candid Camera debuted in 1948 and there have been a few relaunches along the way. So we’re talking 66 years, essentially, of the show’s existence. That’s a long time and it’s hard to come up with fresh new stuff.
Allen Funt, back when this notion still had the power to amaze
But again, the society in which we live makes it awfully difficult for us to be flabbergasted anymore by what we see going on in front of our eyes.
Whether it’s a soap dispenser at a market that doesn’t stop dispensing or a retail outlet that charges a $10 fee to shop in the store as opposed to online (both used in the new version), does anything really surprise us anymore?
The charm of Candid Camera was rooted in two certainties that existed decades ago that simply don’t anymore—a much more impressionable public and a genuine amazement that a hidden camera could be set up. The people were video virgins, so to speak.
Today’s society is far less impressionable and there are cameraseverywhere anymore. In fact, it seems like we are all on camera more than we aren’t, when you add security cameras and the like into the mix.
I think it would be more of a surprise if the revealing person shouted, “You’re NOT on camera now!”
Still, I give TV Land credit for trying to appeal to those of us who remember when an evening with Allen Funt and company was truly a special event. The situations were comical, the reactions were priceless and the reveals were the cherry on top.
However—and it’s not TV Land’s fault—today’s society is just so damned hard to amaze and impress. And we are certainly not aghast at the notion of a camera lens shooting us through a hole in a wall.
The result is that watching the new Candid Camera is like dusting off an old Jack-in-the-Box and failing to be stunned by the clown popping out—while being wistful of the days when it did.
Editor’s note: The following e-mail arrived from none other than Peter Funt himself, who saw this post, on October 1, 2014:
Funny thing about the “original.” There’s no bigger fan of my Dad’s work than me, and I never suggest that my stuff is as good as his was at his prime. However, I find that our memories have a way of distorting and condensing and selecting from the past. I think what you and some other viewers are, in effect, saying is: When I recall the handful of fabulous reveals that Allen got over decades – perhaps seen in highlights or “best of” packages – they’re better than what Peter gets week in and week out. How true!
In a perfect world, Derek Flemming would have been able to march up to the driver of a car that cut him off, express some anger, and get back into his own vehicle—without fear of losing his life.
The 43 year-old husband and father of two young children would have vented his anger and frustration and still lived to re-tell the story to friends, co-workers and family at every opportunity.
We do that a lot, you know—turn storyteller when we are wronged, whether it’s from poor service at a restaurant to being incredulous at a retailer’s return policy, among other things.
But then we get it out of our system and we move on, until someone else relates a story that fires your mental file cabinet into gear and your story gets retold yet again.
But Flemming paid the ultimate price in an act that unfortunately will have people—like yours truly—getting into “blame the victim” mode.
Flemming was gunned down at a traffic light near Howell after he allegedly complained to a driver who cut him off in traffic and who was—again, allegedly—driving recklessly. The 69 year-old man had stopped in front of Flemming’s vehicle at the light. Flemming exited his vehicle and said something like, according to his wife, who was in the car with her husband, “What’s your problem?”
Then Flemming was shot dead by the older driver.
I know we don’t live in a perfect world. If we did, my knee jerk reaction wouldn’t have been (as it was when I read of the tragic story), “Ooh…you shouldn’t have gotten out of your car.”
We have all been cut off in traffic. We have all been frustrated by rudeness in public. And we have all fantasized about what we would like to have done or said, if only we had thought about those reactions at the time.
You have no idea how many fictional, imagined conversations or actions I have wistfully thought of in my head in response to surliness, idiocy and the like. Usually I think of those responses when it’s way too late.
Maybe that’s a good thing.
Certainly Flemming, who was on his way to pick up his kids after their first day of school, would have made it to his children and would have had dinner with them that night, if he had only checked himself before exiting his vehicle.
You can call that blaming the victim all you like. You can say that a man should be able to stand up for himself. You can say that rude, reckless drivers deserve to be confronted.
You can say that Derek Flemming shouldn’t have been expecting the confronted driver to have a gun so readily available and with the demented mindset to use it at a drop of a hat.
But would you rather be right, confrontational and dead, or grumble to yourself—and your wife—and live?
People gather near the area where Derek Flemming was gunned down on Tuesday
It’s sad that this is the subconscious choice that we are now forced to make in this dangerous, violent world. Maybe it’s not so subconscious.
So the rude and the reckless and the surly get a free pass? Not necessarily. There are other ways to throw the karma back into their court.
In Flemming’s case, there is a device called a cell phone. And it accepts emergency numbers.
I walk our dog every evening and in the 10 years that I have been doing so, I have called the police some six or seven times. The reasons range from chickens appearing at a strip mall (true story) to a drunk man passed out on a sidewalk to high suspicions of domestic violence taking place at a private residence.
I call the authorities, calmly describe the situation and let the cops do their thing.
And I live to tell about it, which I have, several times.
Should Derek Flemming have gotten out of his vehicle and confronted a dangerous, reckless, rude driver? Or should he have dialed 911 and reported the reckless driver? Flemming was situated behind the older man, so a license plate number could have easily been reported as well.
This isn’t second-guessing. It’s not a case of hindsight being 20/20.
We live in a world where people simply aren’t to be trifled with on many occasions. No one knows who’s packing heat these days. Worse, no one knows the mental stability of those who are armed.
Did the 69 year-old driver feel threatened by the unarmed Flemming, who approached the older man’s vehicle clearly in anger, according to witnesses?
Playing Devil’s Advocate, you can say that the older man didn’t know if Flemming was armed or not. Just because Flemming didn’t approach with a gun drawn doesn’t mean he wasn’t carrying concealed.
Maybe the older driver panicked.
Regardless, Derek Flemming is dead. And he doesn’t have to be.
His epitaph, of course, ought not to read “He shouldn’t have gotten out of his car.” Flemming was a husband and a dad, and the owner of his own landscaping business. He was much more than a man who made a split-second decision that ultimately cost him his life.
As if we need yet another reminder that things are rough out there.
Labor Day was always my least favorite holiday. I’m sure I was hardly alone.
Of course, I’m talking about when I was a kid, and so just about every other kid likely joined me in that sentiment.
Labor Day meant the unofficial end to summer, though the calendar says that the season runs until September 21. No matter. The calendar didn’t give us kids that long; classes in Livonia, where I grew up, always commenced the day after Labor Day.
It was a final three-day weekend before the baseball mitts and swimming suits were to go back into mothballs, in favor of notebooks, pencils and rulers.
There was one day of excitement, however, in the weeks leading up to the first day of school, and that was the day the class lists would be posted in the school window by the front door. This was for grade school, not beyond.
I’m not sure how we found out that the lists were posted. Probably some sort of loosely designated sentry or Paul Revere type would spread the word. This was some 20-plus years before the Internet became all the rage.
The way it worked was simple. Printed 8-1/2 x 11 inch sheets of paper were taped to the window, face out. The sheets were generally situated by grade. On the top of each sheet was the teacher’s name and the grade he/she taught. The students’ names were listed below. And all the kids—didn’t matter where they lived, they all managed to gather—would frantically search for their names, not knowing until that very moment which teacher they had and which of their friends were in the same class.
It was some pretty intense stuff.
After you located your name, the next step was to search for your friends’ and also your enemies’. Soon there would be a cacophony of sighs of relief mixed with howls of disappointment.
Maybe you got the teacher you wanted, but your best friends were in another classroom. Or, vice-versa.
Regardless, when you got the word that the class lists were ready for consumption, you couldn’t hop onto your bicycle fast enough.
I recently had a drink with an old grade school and middle school pal. We compared teachers that we had in grades 1-6 and not once were we in the same class. I thought that was pretty amazing.
That “what class are you in?” excitement ended when we all shuffled off to middle school, where you didn’t have just one teacher.
It was fun while it lasted, though.
As for Labor Day, I enjoy it now. It means a three-day weekend, which as an adult you treasure.
No matter what kind of class you have.
I suspect that comedians and actors who cause moviegoers and viewers to feel a wide range of emotions are often feeling wide ranges of emotions themselves. Their roller coaster sometimes makes one too many bumps and they fly out of the car.
James Garner was once asked if he’d ever do a nude scene on camera.
“I don’t do horror movies,” he said.
Garner, who died on Saturday at age 86, was a Hollywood leading man but a humble Oklahoman at heart.
“I got into the business to put a roof over my head,” he once said. “I wasn’t looking for star status. I just wanted to keep working.”
And work he did, especially in the 1960s, when Garner was often teamed with the biggest female names in movies, such as Doris Day (Rock Hudson is more famously connected with Day, but Garner did his fair share with her as well), Audrey Hepburn, Shirley MacLaine and Kim Novak.
The film boom for Garner was set up by his work in TV’s Maverick, in which he starred from 1957-60, playing old Western card shark and ladies man Bret Maverick. The show went toe-to-toe on Sunday nights with The Ed Sullivan Show and The Steve Allen Show, more than holding its own.
If you were a casting director and could mail order a leading man, Garner would arrive at your office.
He was tall, dark and handsome, and possessed a self-effacing style bereft of cockiness. His Oklahoma lilt, which he never tried to disguise, added to the down home feel that just about all of his characters had.
Garner, for a brief time, even dabbled in auto racing, an interest that was piqued when he co-starred in 1966′s Grand Prix. Garner thus joined Steve McQueen and Paul Newman as actors/racers.
But mention James Garner, and even today the first thing likely to spill from peoples’ lips is The Rockford Files, NBC’s series that ran from 1974-80. Loosely based on Garner’s Bret Maverick, brought into modern times, the private investigator Jim Rockford character landed Garner an Emmy Award in 1977.
Some old-timers like yours truly will also recall Garner in a popular series of Polaroid TV commercials in the late-1970s, early-1980s, sharing the screen with Mariette Hartley. The chemistry between the two was so genuine that many viewers thought the pair was married in real life, even though the commercials never really suggested that they were playing a wedded couple.
Garner left The Rockford Files in 1980, not because of poor ratings or disenchantment with the show, but because of the physical toll. Garner, who was an athlete in high school (football and basketball), insisted on doing his own stunts, and the result was significant damage to his knees and back.
In his later years, Garner really used his tall Oklahoman stature to his advantage, often playing rugged, wise cowboys and fatherly and grandfatherly figures. His characters would occasionally fall in love as well.
Speaking of falling in love, Garner did that well, too—and fast. He married Lois Clarke in 1956—just two weeks after they met. He remained married to her until his death.
Despite his own stable marriage, Garner once offered that “Marriage is like the Army. Everyone complains. But you’d be surprised at the large number of people who re-enlist.”
And to show how much Bret Maverick resonated in Garner’s hometown of Norman, Oklahoma, the city unveiled a 10-foot tall bronze statue of the actor as Maverick in 2006, with Garner present for the ceremony.
Garner once explained his acting theory, such as it was.
“I’m a Spencer Tracy-type actor. His idea was to be on time, know your words, hit your marks and tell the truth. Most every actor tries to make it something it isn’t [or] looks for the easy way out. I don’t think acting is that difficult if you can put yourself aside and do what the writer wrote.”
Here’s the irony in Garner’s words: he may have been acting and “putting himself aside,” but to watch him on screen was to have the feeling that James Garner was just being James Garner.
He could have done much worse. And so could have we.
I’m beginning to think that the celebration of Fourth of July with fireworks is carrying on longer than the Revolutionary War itself.
In our neighborhood, the pop-pop-pop of things with fuses starts in late-June and is still going on, and this is nearly a week after the 4th.
Granted, the pace is slowing, but why are we still hearing things that go boom?
If people still possess these firework-like items, what are they waiting for?
Maybe I’m more sensitive to this because we have a dog, and he’s not unlike many other canines who don’t appreciate the rockets’ red glare. Last night we set out for our evening stroll and just five minutes into it, something went boom and just like that, our pup was making a beeline for the house.
I’m as patriotic as the next guy, but do we need to hear the commotion (sometimes past 11:00 p.m.) for a three-week period?
I could go into the accidents, some tragic, but that’s piling on. It’s unfair to take pot shots because some of these mishaps are truly not the result of being careless. The highest profile ones to Detroiters—the death of a 44-year-old man and the loss of an eye of channel 7 meteorologist Dave Rexroth—appear to be nothing more than horrible accidents.
Still, this is what can go wrong when lighters are set to fuses, when those doing the lighting are not professionals.
But back to the ever-growing July 4th “season.”
I understand the concept of a Christmas season, with decorations going up after Thanksgiving and staying up past New Year’s Day. I get it with Halloween as well. It’s fun to look at how creative people can get with their homes. Sometimes we like to pour some hot chocolate or coffee and just hop into the car and drive around, looking at the displays.
But those are nice, quiet holiday seasons. Independence Day is all about twilight’s last gleaming—and it seems to be every twilight for 21 days straight, at least where we live.
As I write this, I must admit that things are quieting down quite a bit, but it’s July 10th, for crying out loud, and the bombs are only just now abating.
I guess my biggest question is, if you shelled out the dough for the higher-end fireworks, why are you holding onto them well past July 4th? It’s not like these things are being discovered in a basement somewhere.
I know there isn’t a hard-and-fast rule here, and I don’t want to come off like a sourpuss (maybe that ship has sailed), but at the risk of sounding like a prude, this does fall into the realm of disturbing the peace, does it not?
Frankly, I quite enjoyed the night of the 4th around here. The celebration lasted for several hours and it was actually pretty cool and impressive, hearing all the rapid fire booming and seeing the pretty colors of fireworks that were mini-me versions of the awesome display we saw in Madison Heights the Sunday prior.
It had really ramped up on the 3rd and carried pretty strong into the 5th. No problem; it was the weekend. I get it.
But this started the last week of June and is only now slowing down. That’s about three weeks.
As for the accidents, they’re going to happen every year, no matter how many safety tips are floated around. It’s sad but true—and inevitable.
But while some of those are unavoidable, what isn’t is the setting off of fireworks for three weeks straight.
Or maybe we just chalk this whole thing off to the grouchiness of a 50-something white male living in the suburbs.
That “season” is much longer than three weeks, by the way.
Before the commercial airwaves on television were taken over by ads for prescription drugs, lawyers and car insurance companies, there was the wild and crazy pitchman.
Every city had them.
The products being pumped were usually electronics, appliances and used cars.
The ads were low on productions costs—usually all we saw was the pitchman screaming into the camera with an occasional glimpse at what he was hawking.
The emphasis was on the supposed insanity of the pitchman, because the deals were so good, you see.
New York had Crazy Eddie, who pitched electronic gizmos while shrieking maniacally at the viewer.
And Detroit had Ollie Fretter.
Fretter, who passed away Sunday at age 91, blanketed the TV and radio ad space with commercials for his appliance store, starting in the 1960s and continuing for about 30 years. He promised five pounds of free coffee if he couldn’t beat your best deal.
The appliance wars in Detroit were hot in the 1970s and ’80s. Fretter went up against Highland Appliance’s creative ads on TV, and Adray Appliance didn’t do as much TV advertising, but Mike Adray was in the game. He sponsored lots of little league baseball and hockey teams to help keep his name on people’s lips.
We fell in love with the items that Fretter and Highland advertised on television. It was a time when microwave ovens, stereos, color TVs and newfangled refrigerators/freezers hit the market with gusto.
At the forefront was Ollie Fretter, who didn’t scream, but who was very prevalent in all his ads, never afraid to look silly and foolish on camera as he shamelessly plugged his metro Detroit locations.
Ollie Fretter, ever shameless
But it was the tag line about the free coffee that became iconic, not unlike Mr. Belvedere’s “We do good work,” which ended all of those home improvement commercials.
Fretter was hardly the only Detroit-area pitchman on TV at the time.
There was Irving Nussbaum for New York Carpet World (“The BETTER carpet people”); the aforementioned Belvedere; Mel Farr “Superstar” (Ford dealership); and a host of other car dealers, like Walt Lazar Chevrolet and Bill Rowan Oldsmobile.
These days, law offices are all over the dial, but of course it would be unseemly if those types got wacky on the air.
There was no shame in screaming about a steal of a deal on appliances and used cars back in Fretter’s day.
In fact, we all waited to see what Ollie’s next spot would bring. Each one seemed to want to outdo the previous in terms of silliness.
Fretter shuttered the last of his stores in the early-1990s. His was one of many dominoes to fall around that time as store after store went out of business, outdone by national, big box retail chains.
I always wondered if Ollie ever gave away any free coffee.